Spring update 2015 and articles in #RevistaMESA
Spring update 2015 and articles in the online Brazilian publication RevistaMESA
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Category Archives: ATELIER PUBLIC
ONE YEAR ON
This time last year Rachel Mimiec’s exhibition PLOUGH opened and, with that exhibition, marked the end of her tenure as Associate Artist. I found it hard to suddenly stop that […]
About ATELIER PUBLIC #2
Originally posted on ATELIER PUBLIC #2:
ATELIER PUBLIC#2 20 FEBRUARY – 27 MAY 2014 ATELIER PUBLIC#2 is a re-presentation of a 2011 exhibition at GoMA where members of the public were…
The nature of the #invitation
Last Thursday was an exciting point in the development of ATELIER PUBLIC#2. We had the first meeting together of the ATELIER PUBLIC#2 artists invited so far: Emma Balkind, Brian Hartley, […]
Thoughts and starting points
I am at the point where various conversations about ATELIER PUBLIC#2 over the last few months are beginning to come together. This has also prompted me to invite artists to […]
Forgotten slides and possibilities in Edinburgh #article31 #FoP12
We made it to the parliament on time and eventually, once the correct passes and authorisations were sorted, we set up for the event Untangling 31: Children’s Rights to Play, […]
engage Summer School, Helsinki 2012 some reflections
This morning I was reminded by Steph Hawke’s blog post that I had intended to write my own reflection about the week at the engage Summer School 2012 in Helsinki. That was couple of […]
ATELIER PUBLIC – The Cure?
“I love it when a plan comes togther’ or even a ‘non-plan’ . I attended the conference in Jaen ( nearly 3 weeks ago now & as ever I meant to […]
ATELIER PUBLIC – Maria McCavana
This is the second of the texts I received this week about ATELIER PUBLIC. Maria wrote about her plans and observations of her interventions but also how that influenced her […]
Organised Accident is Art – Rosie Gibson (& conversations with Ken Wolverton)
It’s funny how conversations lead into others. When I met David Harding in ATELIER PUBLIC earlier this year he spoke at length about an exhibition he remembered from the seventies […]
